Tuesday 31 March 2015

Postcard Pastimes

No good gallery visit goes without a good story.

To me, the people are a part of the artwork. 

Most artists agree that an artwork does not exist on its own unaffected by the space, but rather the space around it either adds to it or takes away from it. Many artists spend longer planning the placement of the artwork in the gallery space than they do planning the artwork. I think there is a good quote about this, I'll have to find it!

But more so than the space contributes to the experience (Linden was a great space), for me the people can make or break the experience (as you'll hear about when I tell you about my first experience at a gallery opening). People carry an atmosphere, which impacts upon perspective.

I love people, and that is probably a part of why I feel that the audience is such a big part of the experience of viewing an artwork. Everyone brings something different to contribute.

On that note, here is what truly made Linden a unique experience for me, it was not the art on the wall but a postcard of a work titled 'Bread' from the much-loved open entry Linden Postcard Show that stood out to me. While I was perusing the various postcards from the history of the exhibition, I met a lovely lady (we’ll call her Anne) who was a local and frequent visitor to the gallery. 


Anne told me about a few of the pieces that she had personally seen when they were displayed. I asked her about “Bread” my own favourite and she surprised me with the most wonderful story. She said, “I can’t remember the artist’s meaning but I can tell you why it is significant to me.”

Anne went on to tell me a bit of her story. The way she spoke of her experiences as a child was beautifully romantic to me, and though it would have been many moons ago, it was still very real to her. 
Growing up Anne's family were quite poor, but her Mum was a good cook, she cooked simple foods well. Anne remembered how when guests came over, her mother managed to stretch the food by buying little accompaniments so that everyone could be fed. One of these times, Anne’s mother sent her to buy a loaf of white bread that would be sliced thin and shared between the guests. Anne was only a little girl and she was so hungry that as she was walking home she began to pull at the white fleshy inside of the bread. By the time Anne arrived home she realised that she had eaten all but the crust. She thought to herself that her mother would be so angry that she had eaten something so precious. Anne gingerly opened the front door and carrying empty shell in her hands presented it to her mother. She said her mother's response was something she would never forget. She was not angry but gentle and kind, understanding that Anne was only a little girl, she comforted her explaining that what is done is done and they would just have to get by without bread that night.”

Anne told us how when she saw this artwork, the crust of a piece of bread, it reminded her of that moment, of hard times and of the beautiful forgiving nature of her mother.


Everyone brings something different to an artwork. Whether you are visiting galleries because you are new to a city like me, on a holiday, or just going on an adventure; I encourage you to not just look to the art on the wall as a lone entity, but to embrace the people around you and let their presence add to your perspective.

I promise you will be better for it.
This city is already beginning to feel like home.

This adventurer is ready for a cup of tea and a good night's sleep.

From one explorer to another, happy sleeping.
Renee Bell

*name changed by request of individual

Writers Block, Technical Difficulties, an Anniversary and a Linden Walk Through

Hello!
Welcome to the dramatic world of my last few weeks.
My sincerest apologies for the lack of activity the past little while. I had a serious case of assignments coming out of my armpits. And we all know that one cannot write well while stressed.

Nothing cures stress better than an anniversary weekend spent drinking good coffee, eating fine food, and going go-karting. Happy 1st Anniversary to me (and hubby)! It's been a huge year but we made it. I love my man, no one makes me happier than he does.
In the spirit of wedding anniversaries, here are my three top tips for marriage. 1. Choose love every day. 2. Remember the HALT principle. If you are Hungry, Angry, Lonely or Tired... HALT before you say anything you'll regret ;) 3. Have fun, don't take little things too seriously.

You will have to bear with my eccentricities and stories along the way, as adventure and emergency seem to follow me... but back to the purpose of Leader Follower.
Finally, here it is, the beginning of that Linden walk through that I promised ages ago.

The following works I deemed to be not quite cutting edge but rather following trends or practicing skills and techniques innovated by artists of the past. I might even edit this blog in the future to include the artists and artworks I could recognise as having influenced these artists. No judgement here though as these works are by students who graduated from their degree last year. Really it makes me have more admiration for the two artists I consider to be stepping out from the flock in this exhibition.. but we'll leave that for another post.



Raymond Carter- Stripes 4 Black, 2014, Cloth tape on MDF
I might appreciate it as looking trendy in the home of someone with a greater appreciation for interior design then I, but as an exhibit in an art gallery, it just didn't hit the spot. I want my eye to be led somewhere, I want to go on a journey with you Raymond. It doesn't have to be emotional, it doesn't even have to be about anything, but it does have to DO something. I mean, Donald Judd's minimalist works are not philosophical or emotional, but I could gaze at them for hours in appreciation of his innovation. He changed art forever, though minimalist, they have that spark. Yes, Judd was influenced as we all are, but he was also an influencer and an innovator.




Julian Aubrey Smith:
Crafty, 2014
MT Space, 2013
Amanda's after Jeff, 2014




Julian Aubrey-Smith: Basis, 2013, oil and acrylic on canvas
I can actually really appreciate this work for the technical elements required to paint it. On technique Julian is nailing it, when you look at this in person whether near or far, it legitimately looks like cardboard stuck on canvas (it's actually oil and acrylic on canvas), but what it lacks is innovation. However, Picasso was a prodigy in terms of technique before he created his own style and became an innovator. I believe Julian has the potential for greatness, and in the next few years I hope we see him rise to it.



Stephanie Leigh- Feminine Flatpack (reclining), 2014, Enamel paint on marine plywood



Stephanie Leigh- Feminine Flatpack (yellow), 2014, Enamel paint on marine plywood
I've got to be honest, I really wasn't a fan of Stephanie Leigh's work to begin with... My attitude was "What's the big deal?" BUT my mind is changing the more I look at it. Every time I view it, I like it a bit more. I might come back to her work again, and do another critique once I have figured out where I stand. For now, Stephanie, thanks for intriguing me.

...

That brings the first snapshot of 'honourable mentions' to a close, check back soon for the star/s of this exhibition in a bit more detail.

What have I learnt from the chaos of the last few weeks?
Never make a promise to post something "in the next 24 hours", you are just asking for things to go wrong. I'm not going to blame the little things, I'm going to take responsibility and try not to over-commit myself to an unrealistic time limit again. After all, this experience is about learning by throwing myself in the deep end, isn't it?

Amateur blog-writers, learn from my mistake.

Peace out and happy reading! More to come... soon.

Monday 2 March 2015

My Maiden Voyage: Gallery Visit #1

Hello!
I'm back and maybe too excited for my adventure now... I've really got to find a happy medium somewhere soon.

I went exploring St Kilda this weekend past and while there I went on my maiden voyage into the lands of Melbourne Art. Hubby and I visited the Linden Centre for Contemporary Arts, a gorgeous old space for showcasing New Art.





The Gallery was hosting the Linden Art Prize which had its opening on February 27th and runs until May 3rd (my birthday!). The Linden Art Prize is an art award established for Artists graduating from a Masters or PhD in 2014. This year the Artists are Celeste Chandler, Georgie Mattingley, Jessica Ledwich, Julian Aubrey Smith, Raymond Carter, Stephanie Leigh, Susanna Castleden, and Yandell Walton.

No spoilers here, I won't tell you the Winner until the end.

I think I will dedicate a short post to each Artist, but I may change my mind part-way though and do two in one go*. I've never been the decisive type. Oh and there's a postcard bearing surprise story in the midst of these, because who doesn't like postcards and surprises?



Honestly, these Artists are all brilliant in their own right, but that is not the point of this blog. Who leads and who follows? We'll soon see.

Check back in the next 24 hours for more.

Signing off, excited and hungry for dinner,

Renee Bell
Adventurer Extraordinaire

*for the record, I did change my mind and decided to split the gallery visit into two posts, one on honourable (or not) mentions and another on those works really leading the pack. Some artists were not featured in either, but that's where you get to be Dora the Explorer and decide for yourself where they sit.